After a gradual warm up, the first part of the class is devoted to floor work. We lay the focus on effortlessness, agility and clarity within the sequences. To allow the dancers to work on precision and fluidity, we focus on which part of the body leads and where the impulse of the movement originates, where it begins and ends. We will continue with more technically challenging combinations, playing with suspensions, out of balance, spirals, slides and falls.
We’ll be using a wide range of contrasts. In specific, different dynamics, combining strength and softness, fluid and broken movements, control and freedom.
The class is influenced by different dance techniques mixed with my own research. In particular the influence of ballet is present throughout, but keeping in mind that technique is a tool, that makes the pleasure of moving richer.
After a professional rhythmic gymnastics career, Cristiana continued the study of ballet and contemporary dance. She was selected to join as a trainee the Aterballetto Company, directed by Mauro Bigonzetti and received several scholarships (eg. at “Merce Cunninghum Studio” ,”Peridance Center”, in New York,..).
She joined Botega Dance Company (IT), J.K.Tyl Theater Pilsen (CZ) and , for nine years, Balletto dell’Esperia (Turin,IT) dancing principal roles. She danced pieces by Enzo Celli, Michele Pogliani, Bronislav Rosnos, Alena Peskova, Libor Vaculìk, Inmacolada Rubio, Hervè Costa, Eugenio Scigliano, Laura Corradi, Paolo Mohovich, among others.
Since 2010 Cristiana has been based in Berlin, taking part in different productions and projects, as a dancer and a choreographer, presenting her works in international theaters and festivals.
Recently she worked as a dancer and choreographer, for the Berliner Ensemble, in “Menschen, Orte und Dinge”.
Her piece “Tangram” has been nominated for the “Total Theatre Award” at the Edinburgh Festival Fringe and won the first prize for performing arts at the “Internationale Kulturbörse Freiburg”.