|27. bis 28.06.2020||ONLINE !! CUERPO PRESENTE: The Inner Beast|
|Contemporary dance techniques and practices. Movement dance & Research composition with Alexander Carrillo|
|im DOCK 11 Saal2|
ONLINE !! CUERPO PRESENTE: The Inner Beast
Dieser Workshop findet online statt! Infos folgen >
Date, time and prices:
5 Hours - 10 Hours in total
At DOCK11 GmbH
Kastanienallee 79 / 10435 Berlin
83 Euros, Discount, early pay before 1 weeks of the date
73 Euros, Discount before 3 weeks of the date
Old participants: 73 Euros until before 1 week of the date
The workshop takes place with a minimum of 8 people. Please do your reservation with anticipation.
Registration under: email@example.com
CUERPO PRESENTE: The Inner Beast
¡AIMOR! A Listening Of Ourselves A Daily Moment
For professional dancers/movers & Dance Students
I AM WONDERING IF I GET A MOMENT IN SILENCE IN MY DAILY LIFE,
IF I AM AWARE OF WHAT I AM, WHAT I AM DOING AND
IF I DO ENOUGH CARE OF MYSELF: EATING, READING, PARTYING, HAVING SEX, SHARING, CARING... IN MY RELATIONSHIPS... OR
IF I AM "JUST" LIVING WITHOUT ATTENTION OF MY PRESENT MOMENT AND LOVE?
WITHIN THIS WORKSHOP, I INVITE YOU TO MOVE YOUR BODY UNDER CONSCIENCE OF LOVE. WITH DIFFERENT TOOLS AND AWARENESS, STARTING FROM OURSELVES.
MY WORKSHOPS CAN become A PARTY ITSELF, A FUNERAL, A CATARSIS, A WEDDING, and A RITUAL…
WE NEED TO BE OPEN AND STAY IN THE PRESENT WITH THE BIG TOOL OF ¡AIMOR = LOVE!
Human beings are in a constant search in life to know how to continue the path we are on. There is a clear connection between finding our own way, our relationships and our daily actions. We are constantly looking for personal or group goals that are influenced by different physical, mental, emotional and Spiritual states. Each one altered by the other in different ways and in different fields of action. How to integrate these states?
The workshop seeks to offer a clear way to obtain knowledge and self-awareness through the body in movement. How can we find a bridge between reason and emotion? A conscious state of transformation of the interpreter. How to get the participants out of their everyday life and their seemingly "natural" way? And invites the artist - interpreters to get involved in that daily life and identify with the present.
The methodology is developed through concrete patterns of improvisation in altered states with different physical development and/into methods of meditation. Which are then framed in a real social context, or unreal. It is not just an improvisation; it is a conscious laboratory work using improvisation as a technical tool. The session will combine with other movement techniques and challenging task. It is a very physical research depending in your own level.
Guidelines and aims developed during the practical process:
The body, being a wild animal in an emotional path
• Tools of improvisation / decision making.
• Creative and practical elements in the research room.
• Create awareness of the body as a story / time construction in a space.
• Focus your attention on the "natural" character of your movements, authenticity.
• Awareness of the "Action - reaction".
• Space awareness: individual, public, collective and private.
• Better process your internal organic sensations.
• Personal knowledge through the spirit and meditation: rational control, trance, presence, resonance, dialogue, and stillness.
• Theoretical material and personal biography.
• Individual and group discussions.
• Performative guidelines, based on agreements established during each session.
Each one, from their own perspective and their experience, will illustrate the audience with their ideas, fears, insecurities, questions and contradictions. Together with the creation process, we will frame it in an actual social context. What reflection do we do? How do we reach a physical or emotional state and transform it without losing our essence, our spirit? What tools do we use? How to recreate a clear space in another symbolically and develop the ability to play with it?
"I believe today´s world needs art to heal, needs art to heal our bodies from our souls. Art as a tool of transformation. From our inner feeling and sensations. From our inner beast, being present. With a conscience practice. (Is not easy - for sure is fun). Then there is not past to regret of, there is not present to be disappointed of or future to be worry about. Just moments of learning. Moments of understand our own world, our inner beast, and our own life. So long, we can share and maybe understand others world life. A present to life and future to create."
Alexander believes life as a journey. During the journey, it is possible to identify emotions and themes, which are consciously transformed into performative states, physical risk, mental and spiritual practices. Alexander explores the body from different perspectives of contemporary dance techniques and emotional states. As a support, a background in Colombian Folklore and Afro-contemporary. Creative techniques (awareness, improvisation, and composition). Theatre, Qigong and Kung Fu. Alexander has taught ‘CUERPO PRESENTE: The Inner Beast’ since 2009 in Belgium, Spain, Colombia, Mexico, and Germany.
Alexander Carrillo, Colombian-born and Berlin-based choreographer, dancer and maker. Carrillo focuses his artistic research on the 'ugly' and grotesque in humans, seeing it as a mirror of reality. He questions ideas of 'beauty' and the role of the audience in the performing arts. In this perspective, he is investigating the influence of indigenous traditions and customs in western societies, from the essence of pure rituals until contemporary fashion and pop cultures. His work is developed through historical research with a contemporary point of view, looking into the personal, social and political through an interdisciplinary approach.
Alexander having studied his diplom in Dance at the University Folkwang in Germany, did an Erasmus at ‘ArtEZ’, in Holland and at the University of Art ASAB in Colombia, (MA – emphasis in contemporary dance). Carrillo creates also open platforms for artists. In the last eight years has emerged in the knowledge of ancestral cultures and other methods of communication, social development and listening. He has been certified in MBSR ("Mindfulness-Based Stress Reduction") by the Medicine School of Massachusetts. Carrillo also develops through meditation specific methods for body development and, complemented with his artistic knowledge.
Launched the "DREIZIG Festival" in Berlin and DASEIN Series, site-specific world-project in 2012. His last pieces 'El Ultimo Vuelo', winner of the National competition of choreographers, Belgium 2017, 'Human Intermittents: A Journey' finalist of Choreographers competition, Poland 2014 and 'WhARTever Should Happen: Eine Welt Auf dem Kopf', Berlin 2016/17 and back in 2019, amount others dance pieces and art projects. Carrillo took part in 2018 of the price ‘flausen residence for young Artist’ Germany and at the Berlin Biennale with Okwui Okpokwasili. Has worked with Stella Zannou, Ivo Dimchev, Jérôme Bel, Louis Malvacias, Jeremy Nelson, Malou Airaudo, Rodolpho Leoni, Mark Sieczkerek, Henrieta Horn, Charles Vodoz and the Cie. Fors Works of Denmark, Cie. Toula Limnaios of Berlin, Theater Der Klänge Germany, and Deutsche Oper am Rhein. He has also collaborated with artists, including Marina Abramović, Art Collective Estereotips, Allora & Calzadilla, Reinhard Schiele, Veronica Moniello, Alejandro Huari and his dramaturg Carolina Ortega.
Since 2009, Alexander being developing his teacher training and research under the Motto “CUERPO PRESENTE: THE INNER BEAST”. Creating as natural interest exchanges of dialogue with young artists, and non-artists who are developing their own life in a present Culture and intercultural projects. Alexander has taught his research in Belgium, Spain, Colombia, Venezuela, Mexico and Germany. In Berlin is artist residence at DOCK11 since 2015 and teacher of Tanzfabrik, Marameo amount other studios